Fresh Sand

Led by Jieru Wang

February 12-14, 7 pm

Cannon Theatre 

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Who is seen, and who is cast out? What is carried in leaving, and what is held in staying? Is avoidance an inability—or a choice not—to change? 1990s New York City, A dead package arrives at a dead letter office, reopening the unresolved disappearance of Shuyang, a woman once known to the team that handles what cannot be delivered. What begins as a procedural investigation becomes a personal reckoning, as fragments of her life—records, rumors, and diary entries—surface

 

Company

Music and Lyrics by Stephen Sondheim

Book by George Furth

Directed by Lauren Reinhard

February 26-28 @  7:00pm & February 28 @ 2pm

Wright Theatre

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On the night of her 35th birthday, Bobby  struggles to think of a wish to make as she blows out her birthday candles. Singled and surrounded by “those good and crazy people” -- her married friends -- Bobby is uncertain whether she should simply be happy with her lot or whether she should wish for her own romantic partner. Over a series of dinner parties, first dates, and thoughtful conversations, Bobby attempts to understand the pros and cons of marriage from her diverse and frequently hilarious friends, and begins to make sense of her own persistent single life. Company, Stephen Sondheim’s groundbreaking modern musical, is a mature, intelligent, and wildly funny look at relationships, vulnerability, and “being alive.”

This piece is presented as the Spring musical.

 

Somebody Else’s Nowhere

By Madeleine Bohn 

Directed by Liza Couser

March 4, 6:30

Open Space

 

A horror play about the watcher and the watched and the power dynamics that exist in such a relationship, specifically explored via bottom-rung employees of the TV industry working on a sketchy job together.
This piece is presented as part of the First Look Reading  Series

 

5, 6, 7, 8!

By Amelia Munson

Directed by Chloe Kounadis

March 25th, 6:30pm

Open Space

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5, 6, 7, 8! follows Annie, a middle schooler who discovers musical theatre through her mom’s choreography. Across four years in small-town Maine, 2004-2008, she learns through what it means to care for oneself and others. A tender portrait of girlhood, performance, and generational trauma. 

This piece is presented as part of the First Look Reading  Series

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Don’t Worry About Sully

By Taz Ahmad Zamri

Directed by: Laura Klingher

April 1, 6:30
Open Space 

 

This play is about dead people talking in a hospital room. As they try to pass the indefinite time through playing card games, the current coma patient's finance comes to visit who also is someone from Dead Person's One romantic past enters the room. An explosion of repressed feelings, religious trauma, and seeing but no touching.

This piece is presented as part of the First Look Reading  Series

 

SPRING 2026 NEW WORKS

 

Doe

By: Sarah Luczak

Directed by Rowen Fisher

April 9-11, 7pm

Cannon Theatre

 

September 2010, rural Wisconsin. A family prepares their son's first deer hunt in celebration, honor, and tradition of his sixteenth birthday. What happens when his rifle shoots something else?

 

Burial of Hyacinth

By: Viktor Nicole

Directed by: Madeleine Bohn

April 9-11, 7pm

Cannon Theatre

 

When Hyacinthus is reborn, he finds himself in a world covered in grief, where stories repeat in a continuous cycle. He must embark on a journey to face his own tragedy, and discover his agency when his fate has been foretold. A reclaiming of Hyacinthus’s story, where grief never fades, but we can celebrate life. For even in tragedy, we will never be forgotten.​

 

Baseline

Led by Hawk Thottupuram

Rehearsals: March 16 - April 11

Performances: Fall 2026

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Baseline explores why tests of humanity exist, who writes the questions, and what happens with the results? Within the setting of a stage-as-workplace, we create performance and questions collaboratively and will work with the audience to unpack “testing our humanness” and our drive to test in the first place.

This piece is presented as the Spring 2026 Devised Residency